One of the founders of the French New Wave movement in cinema, which rejected the classic narrative style if filmmaking, French director Jean-Luc Godard introduced a number of then-radical stylistic tools in his films, including jump cuts, character asides, and documentary-style techniques, to blur the boundary between fact and fiction.

Though he is regarded as one of the late 20th century's great filmmakers, one of his films was condemned by the Catholic Church for alleged heresy. Which one?