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Control the frog and gather all the flies. To make the frog jump click left mouse button and draw the boxing glove back as necessary. The direction of the flight depends on where to the boxing glove is drawn. Controls: mouse. YOU HAVE 60 seconds... GOOD LUCK...!

Fly Catcher: Punch a frog to make him jump and catch all the flies before the time runs out, avoiding the poison bottles.

Controls: Mouse: To catch the flies you need to make the frog jump by clicking left mouse button and drawing the boxing glove back as necessary to manage the power. The direction of the flight depends on the angle at which the glove is drawn.

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The BRITISH EMPIRE is alive and well in "THE CITY" that Rothschild built on the blood and backs of the people. - TruthSeeker



The following historical story is taken from a radio address given by Congressman Charles G. Binderup of Nebraska, some 50 years ago and was reprinted in Unrobing the Ghosts of Wall Street:

Colonies More Prosperous Than The Home Country

Before the American War for Independence in 1776, the colonized part of what is today the United States of America was a possession of England. It was called New England, and was made up of 13 colonies, which became the first 13 states of the great Republic. Around 1750, this New England was very prosperous. Benjamin Franklin was able to write:


"There was abundance in the Colonies, and peace was reigning on every border. It was difficult, and even impossible, to find a happier and more prosperous nation on all the surface of the globe. Comfort was prevailing in every home. The people, in general, kept the highest moral standards, and education was widely spread."

When Benjamin Franklin went over to England to represent the interests of the Colonies, he saw a completely different situation: the working population of this country was gnawed by hunger and poverty. "The streets are covered with beggars and tramps," he wrote. He asked his English friends how England, with all its wealth, could have so much poverty among its working classes.

His friends replied that England was a prey to a terrible condition: it had too many workers! The rich said they were already overburdened with taxes, and could not pay more to relieve the needs and poverty of this mass of workers. Several rich Englishmen of that time actually believed, along with Mathus, that wars and plague were necessary to rid the country from man-power surpluses.

Franklin's friends then asked him how the American Colonies managed to collect enough money to support their poor houses, and how they could overcome this plague of pauperism. Franklin replied:

"We have no poor houses in the Colonies; and if we had some, there would be nobody to put in them, since there is, in the Colonies, not a single unemployed person, neither beggars nor tramps."


Thanks To Free Money Issued By The Nation


His friends could not believe their ears, and even less understand this fact, since when the English poor houses and jails became too cluttered, England shipped these poor wretches and down-and- outs, like cattle, and discharged, on the quays of the Colonies, those who had survived the poverty, dirtiness and privations of the journey. At that time, England was throwing into jail those who could not pay their debts. They therefore asked Franklin how he could explain the remarkable prosperity of the New England Colonies. Franklin replied:

"That is simple. In the Colonies, we issue our own paper money. It is called 'Colonial Scrip.' We issue it in proper proportion to make the goods pass easily from the producers to the consumers. In this manner, creating ourselves our own paper money, we control its purchasing power and we have no interest to pay to no one."

The Bankers Impose Poverty

The information came to the knowledge of the English Bankers, and held their attention. They immediately took the necessary steps to have the British Parliament to pass a law that prohibited the Colonies from using their scrip money, and then ordered them to use only the gold and silver money that was provided in sufficient quantity by the English bankers. Then began in America the plague of debt-money, which has never since brought so many curses to the American people.

The first law was passed in 1751, and then completed by a more restrictive law in 1763. Franklin reported that one year after the implementation of this prohibition on Colonial money, the streets of the Colonies were filled with unemployment and beggars, just like in England, because there was not enough money to pay for the goods and work. The circulating medium of exchange had been reduced by half.

Franklin added that this was the original cause of the American Revolution - and not the tax on tea nor the Stamp Act, as it has been taught again and again in history books. The financiers always manage to have removed from school books all that can throw light on their own schemes, and damage the glow that protects their power.

Franklin, who was one of the chief architects of the American independence, wrote it clearly:

"The Colonies would gladly have borne the little tax on tea and other matters had it not been the poverty caused by the bad influence of the English bankers on the Parliament, which has caused in the Colonies hatred of England and the Revolutionary War."

This point of view of Franklin was confirmed by great statesmen of his era: John Adams, Jefferson, and several others. A remarkable English historian, John Twells, wrote, speaking of the money of the Colonies, the Colonial Scrip:

"It was the monetary system under which America's Colonies flourished to such an extent that Edmund Burke was able to write about them: 'Nothing in the history of the world resembles their progress. It was a sound and beneficial system, and its effects led to the happiness of the people.'" John Twells adds:

"In a bad hour, the British Parliament took away from America its representative money, forbade any further issue of bills of credit, these bills ceasing to be legal tender, and ordered that all taxes should be paid in coins. Consider now the consequences: this restriction of the medium of exchange paralyzed all the industrial energies of the people. Ruin took place in these once flourishing Colonies; most rigorous distress visited every family and every business, discontent became desperation, and reached a point, to use the words of Dr. Johnson, when human nature rises up and asserts its rights."

Another writer, Peter Cooper, expresses himself along the same lines. After having said how Franklin had explained to the London Parliament the cause of the prosperity of the Colonies, he wrote:

"After Franklin gave explanations on the true cause of the prosperity of the Colonies, the Parliament exacted laws forbidding the use of this money in the payment of taxes. This decision brought so many drawbacks and so much poverty to the people that it was the main cause of the Revolution. The suppression of the Colonial money was a much more important reason for the general uprising than the Tea and Stamp Act."

Today, in America as well as in Europe, we are under the regime of the Scrip of the Bankers instead of the scrip of the nation. Hence the public debts, everlasting interest charges, taxes that plunder purchasing power, with the only result being a consolidation of the financial dictatorship.

There is only one cure for America's ultimate financial collapse and that is for Congress to exercise Clause 30 of the "Federal" Reserve Act, buy the outstanding shares of stock, shut down this unconstitutional system and sell off their assets to reimburse the people of this nation for this unspeakable theft of their wealth. This is the first installment of postings on this issue, new ones will be put up as soon as manpower allows.

Source: citizensamericaparty.org - TruthSeeker for TurismoAssociati.it
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By Admins (from 23/02/2014 @ 09:05:37, in z - Games Giochi Jocuri, read 219 times)

The object of Flash Minesweeper is to find mines which have been hidden at random by the computer on a grid. The grid size you will start with is a 16x16 which equals to 256 squares and contains 40 mines. The game starts when the player moves his mouse and selects a square on the grid. With a click of the left-hand key of the mouse, the computer opens the square on that grid and reveals wheather the square contains a mine or not. If that square does contain a mine, then the player lost the game. If the square does not contain a mine, then the square will contain a number showing how many mines there are on the on the 8 squares directly touching the square. For example, if the number revelead is 2, then that means that there are two mines on the adjoining 8 squares. However, if the square is blank, that means that there are no mines on any of the adjoining 8 squares. In that event, the computer automatically helps out by opening all 8 adjoining squares and revealing their numbers. If it happens that any of those squares are also blank, then the squares surrounding those squares are also opened. This gives the player a lot of information with which to calculate where the mines are or are likely to be. Once the player determines exactly where a mine is located, he is advised to mark it so as to avoid playing on that square by accident. He marks the square by pressing the SPACE key. If a player has marked a square as holding a mine by mistake, he may unmark the square also by pressing the SPACE key.

Flash Minesweeper: Try to locate all the mines hidden below a square grid as fast as you can, in this flash remake with a high score table.

Controls: Keyboard and Mouse: Left-click and Space bar

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Sixty-four years ago this month, six million Americans became unwitting subjects in an experiment in psychological warfare.

It was the night before Halloween, 1938. At 8 p.m. CST, the Mercury Radio on the Air began broadcasting Orson Welles' radio adaptation of H. G. Wells' War of the Worlds. As is now well known, the story was presented as if it were breaking news, with bulletins so realistic that an estimated one million people believed the world was actually under attack by Martians. Of that number, thousands succumbed to outright panic, not waiting to hear Welles' explanation at the end of the program that it had all been a Halloween prank, but fleeing into the night to escape the alien invaders.

Later, psychologist Hadley Cantril conducted a study of the effects of the broadcast and published his findings in a book, The Invasion from Mars: A Study in the Psychology of Panic. This study explored the power of broadcast media, particularly as it relates to the suggestibility of human beings under the influence of fear. Cantril was affiliated with Princeton University's Radio Research Project, which was funded in 1937 by the Rockefeller Foundation. Also affiliated with the Project was Council on Foreign Relations (CFR) member and Columbia Broadcasting System (CBS) executive Frank Stanton, whose network had broadcast the program. Stanton would later go on to head the news division of CBS, and in time would become president of the network, as well as chairman of the board of the RAND Corporation, the influential think tank which has done groundbreaking research on, among other things, mass brainwashing.

Two years later, with Rockefeller Foundation money, Cantril established the Office of Public Opinion Research (OPOR), also at Princeton. Among the studies conducted by the OPOR was an analysis of the effectiveness of "psycho-political operations" (propaganda, in plain English) of the Office of Strategic Services (OSS), the forerunner of the Central Intelligence Agency (CIA). Then, during World War II, Cantril - and Rockefeller money - assisted CFR member and CBS reporter Edward R. Murrow in setting up the Princeton Listening Center, the purpose of which was to study Nazi radio propaganda with the object of applying Nazi techniques to OSS propaganda. Out of this project came a new government agency, the Foreign Broadcast Intelligence Service (FBIS). The FBIS eventually became the United States Information Agency (USIA), which is the propaganda arm of the National Security Council.

Thus, by the end of the 1940s, the basic research had been done and the propaganda apparatus of the national security state had been set up--just in time for the Dawn of Television ...


Experiments conducted by researcher Herbert Krugman reveal that, when a person watches television, brain activity switches from the left to the right hemisphere. The left hemisphere is the seat of logical thought. Here, information is broken down into its component parts and critically analyzed. The right brain, however, treats incoming data uncritically, processing information in wholes, leading to emotional, rather than logical, responses. The shift from left to right brain activity also causes the release of endorphins, the body's own natural opiates--thus, it is possible to become physically addicted to watching television, a hypothesis borne out by numerous studies which have shown that very few people are able to kick the television habit.

This numbing of the brain's cognitive function is compounded by another shift which occurs in the brain when we watch television. Activity in the higher brain regions (such as the neo-cortex) is diminished, while activity in the lower brain regions (such as the limbic system) increases. The latter, commonly referred to as the reptile brain, is associated with more primitive mental functions, such as the "fight or flight" response. The reptile brain is unable to distinguish between reality and the simulated reality of television. To the reptile brain, if it looks real, it is real. Thus, though we know on a conscious level it is "only a film," on a conscious level we do not--the heart beats faster, for instance, while we watch a suspenseful scene. Similarly, we know the commercial is trying to manipulate us, but on an unconscious level the commercial nonetheless succeeds in, say, making us feel inadequate until we buy whatever thing is being advertised--and the effect is all the more powerful because it is unconscious, operating on the deepest level of human response. The reptile brain makes it possible for us to survive as biological beings, but it also leaves us vulnerable to the manipulations of television programmers.

It is not just commercials that manipulate us. On television news as well, image and sound are as carefully selected and edited to influence human thought and behavior as in any commercial. The news anchors and reporters themselves are chosen for their physical attractiveness--a factor which, as numerous psychological studies have shown, contributes to our perception of a person's trustworthiness. Under these conditions, then, the viewer easily forgets--if, indeed, the viewer ever knew in the first place--that the worldview presented on the evening news is a contrivance of the network owners--owners such as General Electric (NBC) and Westinghouse (CBS), both major defense contractors. By molding our perception of the world, they mold our opinions. This distortion of reality is determined as much by what is left out of the evening news as what is included--as a glance at Project Censored's yearly list of top 25 censored news stories will reveal. If it's not on television, it never happened. Out of sight, out of mind.

Under the guise of journalistic objectivity, news programs subtly play on our emotions--chiefly fear. Network news divisions, for instance, frequently congratulate themselves on the great service they provide humanity by bringing such spectacles as the September 11 terror attacks into our living rooms. We have heard this falsehood so often, we have come to accept it as self-evident truth. However, the motivation for live coverage of traumatic news events is not altruistic, but rather to be found in the central focus of Cantril's War of the Worlds research--the manipulation of the public through fear.

There is another way in which we are manipulated by television news. Human beings are prone to model the behaviors they see around them, and avoid those which might invite ridicule or censure, and in the hypnotic state induced by television, this effect is particularly pronounced. For instance, a lift of the eyebrow from Peter Jennings tells us precisely what he is thinking--and by extension what we should think. In this way, opinions not sanctioned by the corporate media can be made to seem disreputable, while sanctioned opinions are made to seem the very essence of civilized thought. And should your thinking stray into unsanctioned territory despite the trusted anchor's example, a poll can be produced which shows that most persons do not think that way--and you don't want to be different do you? Thus, the mental wanderer is brought back into the fold.

This process is also at work in programs ostensibly produced for entertainment. The "logic" works like this: Archie Bunker is an idiot, Archie Bunker is against gun control, therefore idiots are against gun control. Never mind the complexities of the issue. Never mind the fact that the true purpose of the Second Amendment is not to protect the rights of deer hunters, but to protect the citizenry against a tyrannical government (an argument you will never hear voiced on any television program). Monkey see, monkey do--or, in this case, monkey not do.

Notice, too, the way in which television programs depict conspiracy researchers or anti-New World Order activists. On situation comedies, they are buffoons. On dramatic programs, they are dangerous fanatics. This imprints on the mind of the viewer the attitude that questioning the official line or holding "anti-government" opinions is crazy, therefore not to be emulated.

Another way in which entertainment programs mold opinion can be found in the occasional television movie, which "sensitively" deals with some "social" issue. A bad behavior is spotlighted--"hate" crimes, for instance--in such a way that it appears to be a far more rampant problem than it may actually be, so terrible in fact that the "only" cure for it is more laws and government "protection." Never mind that laws may already exist to cover these crimes--the law against murder, for instance. Once we have seen the well-publicized murder of the young gay man Matthew Shepherd dramatized in not one, but two, television movies in all its heartrending horror, nothing will do but we pass a law making the very thought behind the crime illegal.

People will also model behaviors from popular entertainment which are not only dangerous to their health and could land them in jail, but also contribute to social chaos. While this may seem to be simply a matter of the producers giving the audience what it wants, or the artist holding a mirror up to society, it is in fact intended to influence behavior.

Consider the way many films glorify drug abuse. When a popular star playing a sympathetic character in a mainstream R-rated film uses hard drugs with no apparent health or legal consequences (John Travolta's use of heroin in Pulp Fiction, for instance--an R-rated film produced for theatrical release, which now has found a permanent home on television, via cable and video players), a certain percentage of people--particularly the impressionable young--will perceive hard drug use as the epitome of anti-Establishment cool and will model that behavior, contributing to an increase in drug abuse. And who benefits?

As has been well documented by Gary Webb in his award-winning series for the San Jose Mercury New, former Los Angeles narcotics detective Michael Ruppert, and many other researchers and whistleblowers--the CIA is the main purveyor of hard drugs in this country. The CIA also has its hand in the "prison-industrial complex." Wackenhut Corporation, the largest owner of private prisons, has on its board of directors many former CIA employees, and is very likely a CIA front. Thus, films which glorify drug abuse may be seen as recruitment ads for the slave labor-based private prison system. Also, the social chaos and inflated crime rate which result from the contrived drug problem contributes to the demand from a frightened society for more prisons, more laws, and the further erosion of civil liberties. This effect is further heightened by television news segments and documentaries which focus on drug abuse and other crimes, thus giving the public the misperception that crime is even higher than it really is.

There is another socially debilitating process at work in what passes for entertainment on television these days. Over the years, there has been a steady increase in adult subject matter on programs presented during family viewing hours. For instance, it is common for today's prime-time situation comedies to make jokes about such matters as masturbation (Seinfeld once devoted an entire episode to the topic), or for daytime talk shows such as Jerry Springer's to showcase such topics as bestiality. Even worse are the "reality" programs currently in vogue. Each new offering in this genre seems to hit a new low. MTV, for instance, recently subjected a couple to a Candid Camera-style prank in which, after winning a trip to Las Vegas, they entered their hotel room to find an actor made up as a mutilated corpse in the bathtub. Naturally, they were traumatized by the experience and sued the network. Or, consider a new show on British television in which contestants compete to see who can infect each other with the most diseases--venereal diseases included.

It would appear, at the very least, that these programs serve as a shill operation to strengthen the argument for censorship. There may also be an even darker motive. These programs contribute to the general coarsening of society we see all around us--the decline in manners and common human decency and the acceptance of cruelty for its own sake as a legitimate form of entertainment. Ultimately, this has the effect of debasing human beings into savages, brutes--the better to herd them into global slavery.

For the first decade or so after the Dawn of Television, there were only a handful of channels in each market--one for each of the three major networks and maybe one or two independents. Later, with the advent of cable and more channels, the population pie began to be sliced into finer pieces--or "niche markets." This development has often been described as representing a growing diversity of choices, but in reality it is a fine-tuning of the process of mass manipulation, a honing-in on particular segments of the population, not only to sell them specifically-targeted consumer products but to influence their thinking in ways advantageous to the globalist agenda.

One of these "target audiences" is that portion of the population which, after years of blatant government cover-up in areas such as UFOs and the assassination of John F. Kennedy, maintains a cynicism toward the official line, despite the best efforts of television programmers to depict conspiracy research in a negative light. How to reach this vast, disenfranchised target audience and co-opt their thinking? One way is to put documentaries before them which mix of fact with disinformation, thereby confusing them. Another is to take the X Files approach.

The heroes of X Files are investigators in a fictitious paranormal department of the FBI whose adventures sometimes take them into parapolitical territory. On the surface this sounds good. However, whatever good X Files might accomplish by touching on such matters as MK-ULTRA or the JFK assassination is cancelled out by associating them with bug-eyed aliens and ghosts. Also, on X Files, the truth is always depicted as "out there" somewhere--in the stars, or some other dimension, never in brainwashing centers such as the RAND Corporation or its London counterpart, the Tavistock Institute. This has the effect of obscuring the truth, making it seem impossibly out-of-reach, and associating reasonable lines of political inquiry with the fantastic and other-wordly.

Not that there is no connection between the parapolitical and the paranormal. There is undoubtedly a cover-up at work with regard to UFOs, but if we accept uncritically the notion that UFOs are anything other than terrestrial in origin, we are falling headfirst into a carefully-set trap. To its credit, X Files has dealt with the idea that extraterrestrials might be a clever hoax by the government, but never decisively. The labyrinthine plots of the show somehow manage to leave the viewer wondering if perhaps the hoax idea is itself a hoax put out there to cover up the existence of extraterrestrials. This is hardly helpful to a true understanding of UFOs and associated phenomena, such as alien abductions and cattle mutilations.

Extraterrestrials have been a staple of popular entertainment since The War of the Worlds (both the novel and its radio adaptation). They have been depicted as invaders and benefactors, but rarely have they been unequivocally depicted as a hoax. There was an episode of Outer Limits which depicted a group of scientists staging a mock alien invasion to frighten the world's population into uniting as one--but, again, such examples are rare. Even in UFO documentaries on the Discovery Channel, the possibility of a terrestrial origin for the phenomenon is conspicuous by its lack of mention.

UFO researcher Jacques Vallee, the real-life model for the French scientist in Stephen Spielberg's Close Encounters of the Third Kind, attempted to interest Spielberg in a terrestrial explanation for the phenomenon. In an interview on Conspire.com, Vallee said, "I argued with him that the subject was even more interesting if it wasn't extraterrestrials. If it was real, physical, but not ET. So he said, 'You're probably right, but that's not what the public is expecting--this is Hollywood and I want to give people something that's close to what they expect.'"

How convenient that what Spielberg says the people expect is also what the Pentagon wants them to believe.

In Messengers of Deception, Vallee tracks the history of a wartime British Intelligence unit devoted to psychological operations. Code-named (interestingly) the "Martians," it specialized in manufacturing and distributing false intelligence to confuse the enemy. Among its activities were the creation of phantom armies with inflatable tanks, simulations of the sounds of military ships maneuvering in the fog, and forged letters to lovers from phantom soldiers attached to phantom regiments.

Vallee suggests that deception operations of this kind may have extended beyond World War II, and that much of the "evidence" for "flying saucers" is no more real than the inflatable tanks of World War II. He writes: "The close association of many UFO sightings with advanced military hardware (test sites like the New Mexico proving grounds, missile silos of the northern plains, naval construction sites like the major nuclear facility at Pascagoula and the bizarre love affairs ... between contactee groups, occult sects, and extremist political factions, are utterly clear signals that we must exercise extreme caution."

Many people find it fantastic that the government would perpetrate such a hoax, while at the same time having no difficulty entertaining the notion that extraterrestrials are regularly traveling light years to this planet to kidnap people out of their beds and subject them to anal probes.

The military routinely puts out disinformation to obscure its activities, and this has certainly been the case with UFOs. Consider Paul Bennewitz, the UFO enthusiast who began studying strange lights that would appear nightly over the Manzano Test Range outside Albuquerque. When the Air Force learned about his study, ufologist William Moore (by his own admission) was recruited to feed him forged military documents describing a threat from extraterrestrials. The effect was to confuse Bennewitz--even making him paranoid enough to be hospitalized--and discredit his research. Evidently, those strange lights belonged to the Air Force, which does not like outsiders inquiring into its affairs.

What the Air Force did to Bennewitz, it also does on a mass scale--and popular entertainment has been complicit in this process. Whether or not the filmmakers themselves are consciously aware of this agenda does not matter. The notion that extraterrestrials might visit this planet is so much a part of popular culture and modern mythology that it hardly needs assistance from the military to propagate itself.

It has the effect not only of obscuring what is really going on at research facilities such as Area 51, but of tainting UFO research in general as "kooky"--and does the job so thoroughly that one need only say "UFO" in the same breath with "JFK" to discredit research in that area as well. It also may, in the end, serve the same purpose as depicted in that Outer Limits episode--to unite the world's population against a perceived common threat, thus offering the pretext for one-world government.

The following quotes demonstrate that the idea has at least occurred to world leaders:

"In our obsession with antagonisms of the moment, we often forget how much unites all the members of humanity. Perhaps we need some outside, universal threat to make us realize this common bond. I occasionally think how quickly our differences would vanish if we were facing an alien threat from outside this world." (President Ronald Reagan, speaking in 1987 to the United Nations.

"The nations of the world will have to unite, for the next war will be an interplanetary war. The nations of the earth must someday make a common front against attack by people from other planets." General Douglas MacArthur, 1955)

Some one remarked that the best way to unite all the nations on this globe would be an attack from some other planet. In the face of such an alien enemy, people would respond with a sense of their unity of interest and purpose." (John Dewey, Professor of Philosophy at Columbia University, speaking at a conference sponsored by the Carnegie Endowment for International Peace, 1917)

And where was this "alien threat" motif given birth? Again, we find the answer in popular entertainment, and again the earliest source is The War of the Worlds--both Wells' and Welles' versions.

Perhaps it is no coincidence that H. G. Wells was a founding member of the Round Table, the think tank that gave birth to the Royal Institute for International Affairs (RIIA) and its American cousin, the CFR. Perhaps Wells intentionally introduced the motif as a meme which might prove useful later in establishing the "world social democracy" he described in his 1939 book The New World Order. Perhaps, too, another purpose of the Orson Welles broadcast was to test of the public's willingness to believe in extraterrestrials.

At any rate, it proved a popular motif, and paved the way for countless movies and television programs to come, and has often proven a handy device for promoting the New World Order, whether the extraterrestrials are invaders or--in films like The Day the Earth Stood Still--benefactors who have come to Earth to warn us to mend our ways and unite as one, or be blown to bits.

We see the globalist agenda at work in Star Trek and its spin-offs as well. Over the years, many a television viewer's mind has been imprinted with the idea that centralized government is the solution for our problems. Never mind the complexities of the issue--never mind the fact that, in the real world, centralization of power leads to tyranny. The reptile brain, hypnotized by the flickering television screen, has seen Captain Kirk and his culturally diverse crew demonstrate time and again that the United Federation of Planets is a good thing. Therefore, it must be so.

It remains to be seen whether the Masters of Deception will, like those scientists in The Outer Limits, stage an invasion from space with anti-gravity machines and holograms, but, if they do, it will surely be broadcast on television, so that anyone out of range of that light show in the sky, will be able to see it, and all with eyes to see will believe. It will be War of the Worlds on a grand scale.


Jack Kerouac once noted, while walking down a residential street at night, glancing into living rooms lit by the gray glare of television sets, that we have become a world of people "thinking the same thoughts at the same time."

Every day, millions upon millions of human beings sit down at the same time to watch the same football game, the same mini-series, the same newscast. And where might all this shared experience and uniformity of thought be taking us?

A recent report co-sponsored by the U.S. National Science Foundation and the Commerce Department calls for a broad-based research program to find ways to use nanotechnology, biotechnology, information technology, and cognitive sciences, to achieve telepathy, machine-to-human communication, amplified sensory experience, enhanced intellectual capacity, and mass participation in a "hive mind." Quoting the report: "With knowledge no longer encapsulated in individuals, the distinction between individuals and the entirety of humanity would blur. Think Vulcan mind-meld. We would perhaps become more of a hive mind--an enormous, single, intelligent entity."

There is no doubt that we have been brought closer to the "hive mind" by the mass media. For, what is the shared experience of television but a type of "Vulcan mind-meld"? (Note the terminology borrowed from Star Trek, no doubt to make the concept more familiar and palatable. If Spock does it, it must be okay.)

This government report would have us believe that the hive mind will be for our good--a wonderful leap in evolution. It is nothing of the kind. For one thing, if the government is behind it, you may rest assured it is not for our good. For another, common sense should tell us that blurring the line "between individuals and the entirety of humanity" means mass conformity, the death of human individuality. Make no mistake about it--if humanity is to become a hive, there will be at the center of that hive a Queen Bee, whom all the lesser "insects" will serve. This is not evolution--this is devolution. Worse, it is the ultimate slavery--the slavery of the mind.

And it is a horror first unleashed in 1938 when one million people responded as one--as a hive--to Orson Welles' Halloween prank.

In a sense, those people who fled the Martians that night were right to be afraid. They were indeed under attack. But they were wrong about who was attacking them. It was something far worse than Martians. Had they only known the true nature of the danger facing them, perhaps they would have gone to the nearest radio station with torches in hand like the villagers in those old Frankenstein movies and burned it to the ground, or at least commandeered the new technology and turned it towards another use--the liberation of humanity, instead of its enslavement.

Source: mackwhite.com

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If you or someone you know is suffering from cancer, one of the best things they can do is take away the disease's favorite food – sugar.

Sugar – Cancer's Fuel

Dr. Otto Wartburg and other health experts have been talking about how cancer loves sugar since the 1920s, but surprisingly many doctors don't tell their cancer patients that as long as they continue to eat processed foods full of the stuff, they will likely have a more difficult time fighting this disease.

The German physiologist, leading biochemist, medical doctor, and Nobel laureate was convinced that you could starve cancer right out of the body. While it may not always be that easy, this is something that could significantly change the game.

His theory was that malignant cells and tumor growth was caused by cells that generated energy via adenosine triphosphate (ATP) through a nonoxidative breakdown of glucose (sugar). The recycling of the metabolite from this process called glycolysis and the circulation of adhA back into the body caused anaerobic respiration. This is the reverse of what happens with healthy cells. Healthy, non-cancerous cells generate energy for the body to use through the oxidative breakdown of pyruvate, the end product of glycolysis, which leads to oxidized mitochondria. He therefore concluded that cancer was really a mitochondrial dysfunction. The normal process of respiration of oxygen in the body is changed to the fermentation of sugar. If you remove the sugar, the body should not develop cancer.

The connection between sugar and cancer development is certainly not new.

Most people can easily remove the obvious culprits that are full of refined sugar – cakes, candies, cookies, etc. The problem is that many foods which are packaged and sold in the US and in other countries are full of refined sugar, but just very sneakily hidden in the packaging labels. Things like 'healthy' yogurt, cereals, whole wheat or whole grain breads, and even 'low-calorie' items can be full of sugar.

The easiest way to eliminate unwanted refined sugars is to stop buying 'convenience' or pre-packaged foods, and at least temporarily, don't eat out at restaurants – many dining establishments source their food from big companies that 'season' their food with lots of sugar and salt to make it more palatable after being frozen and shipped across the country in trucks. Even salad dressings can be loaded with sugar. To deal with cravings for sugary foods, increase your plant-based and healthy animal based proteins (no red meat) and eat more nutrition-packed foods.

Source: NaturalSociety.com

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Click and drag balls to neighbours of the same color. Keep dragging to score combos. You can drag diagonally too.

Ding Ding: Play this cool Puzzle game by connecting all of the same dots to make a chain!

 

Controls: Mouse

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How to Play: Use your mouse to find pairs of matching pictures. The path betwee the two pictures must be clear from other blocks. The path cannot bend three or more times. A level is cleared when you have no more blocks left. If you run out of moves, the game is over. You must clear all the blocks within the designated time frame. A wrong move makes you lose 10 seconds and a correct move gains you up to 10 extra seconds. There are 6 stages each with a different time frame and pictures: Level 1 - 4 Minutes, 20 Pictures; Level 2 - 3 Minutes, 20 Pictures; Level 3 - 4 Minutes, 25 Pictures; Level 4 - 3 Minutes, 30 Pictures; Level 5 - 4 Minutes, 30 Pictures; Level 6 - 3 Minutes, 30 Pictures

Connect 2: Connect pairs of matching tiles by creating a path between them and clear all the tiles before the time runs out.

 

Controls: Mouse: Left-click

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Now look at a picture from "Windows to Color" board book for toddlers made by a division of the Walt Disney Company - Baby Einstein. Out of all numbers in the world they picked the one which represents position for simultaneous oral sex. Note that this is not the original number of the truck, it was doctored. How do I know it? Look at the number plate: it's inverted, as well as the letters on the door, which means that the image was flipped and the number 69 was added to the truck afterward.

This is not the only sexual reference I found in this book. For example on the same page there's an image of a rose and on its left petal appears the word sex. It's not visible in the scanned image so I don't post it here. Another thing is the painting by Georgia O'Keeffe - an artist known for painting symbolical vaginal imagery.

Here's another 69 on a toddlers shirt:

 


Ok, here's another genius design from Disney:


Ape spanking the monkey in Disneyland:

Well, at least recently they started doing it openly ;)


Some more screenshots:

 

 
Mickey and the Beanstalk. Click the image to see animation or watch video around 5:00


 

 

 

 

 

This is a real scene from Ren and Stimpy that I saw myself on TV as a teen.

Watch video

 

Happy feet:

 

 

  Please don't tell me that the nose shape is an innocent coincidence...

 Or maybe you think that MR. NO from Tiger Mask is an innocent coincidence?

Video


How about this innocent shape in a second grade reading book?

 

 
Snow White Pez dispenser:

Watch Video demonstration

The Punisher shape shifter

 
Watch the video:

 

 

 

 FOR MORE IMAGES AND VIDEOS VISIT THIS PAGE.


I admit that some examples here could be accidental, but could all of them be?

Source: subliminalmanipulation.blogspot.ro

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A single click of the mouse is all you need to create a burst. Every random ball flying around touched by the burst would create another burst. Make sure it creates enough burst to achieve the number stated in the level objective.

Color Burst: One click is all you need. Chain reaction is the key to winning!

 

Controls: Keyboard: Left click to fire a burst and start a chain reaction.

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...IT CONTINUES. HERE.

Since almost all people have a strong affinity to sex, a sexual subliminal message would be the most effective one. Embedded on a certain product it's supposed to trigger viewers attention, emotions and stir up affinity in him toward the product. Unfortunately, as you're going to see for yourself,  this principle has been heavily misused, abused and misapplied. Blatant sexuality on the verge of pornography can be easily found in public advertising, family movies, cartoons and children products.

The famous Farrah Fawcett’s “SEX” in the hair:


This poster had been one of the major urban legends of the late 70s. It was always puzzling why this image in particular became incredibly popular (over 12 millions copies sold). After all, there were plenty of other posters of scantily clad attractive young women.

The word SEX in print media is usually embedded into hair, creases in clothing, facial lines, or rough background surfaces. Often some noise added to disguise it, like in the House snapshot, or it can be spelled as "ssex" or "sexx", etc.

Letter-looking patterns can naturally occur in such mediums. An artist usually looks for these patterns and starts from there. For example in the following Jantzen ad the letter "X" is already formed by the stitches of the man's shirt. Then the shadow of his hand was modified a bit to look like an "E" and the letter "S"—purportedly a water ripple—was lightly painted in the gap under his arm.

A one word guarantee:

 

Another technique is to write numerous SEXes in interweaving mosaic-like manner on a transparent overlay which can be superimposed onto any photograph at any intensity level desired. So in the next image there are many transparent words SEX written all over her face: forehead, lips, hair, chin etc. That's besides the crown concealing the word SEX in its design.

 


The Inhabited Island 2. On the 8th minute of the movie slowly moving camera focuses on a wall for about 10 seconds. Quite bluntly the word SEX is etched in the stone. The family picture nearby serves as a camouflage for another word SEX. This is just one of many instances throughout the movie. Ironically, the storyline revolves around ruling elite using covert mind control means to manipulate population for their own designs and here we are: the movie makers use covert mind control means to manipulate the viewer for their own designs.

 Click image for animated gif with highlight.

Another interesting technique is embedding of anamorphic images—kind of what you see when you look into a funny mirror at an amusement park or into a shiny coffee pot at home. These distorted, often grotesque images serve as a decoy for the real message which can be hidden within the ground (foliage, flowers, landscapes, reflections in bottles, ice cubes, symbols, and so forth). Although it is not consciously obvious, it may very well be obvious to our subconsciousness and recorded there.
A surprisingly large amount of subliminal death symbolism is also utilized—skulls hidden in ice cubes, clouds, etc., the word DEATH or DETH often hidden in backgrounds.
During the evolutionary development of humans, subliminal perceptions were certainly involved with survival and adjustment. Creative innovators such as artists, poets, writers and composers have utilized man's subliminal potentialities for many centuries. In at least one Rembrandt painting, for example, a hidden SEX appears (spelled as seks in Dutch). Paintings of Monet are also abundant with it.

Source: subliminalmanipulation.blogspot.ro - Author: Jonathan Adampants

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right on!!
12/07/2014 @ 20:07:45
By Brian Barton
Cannabis is the best medicine in nature. Best everything. But shit, thc is important to!
10/07/2014 @ 13:26:01
By Jason Bond
Keys
06/07/2014 @ 02:59:37
By Altan
Thanks I was just looking for a recipe - gotta love the way the Spirit moves
04/07/2014 @ 19:06:54
By Ginamarie Pezzi
unfortunately that is a reality these days - we humans - especially in the west - only want to hear "a" truth that fits our own limited perspective rather than one that is open & is truth in many ...
04/07/2014 @ 18:57:31
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CON L'UMANITŕ COSě MESSA CI MANCANO LE DROGHE ?
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Mmmmm candy
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